Juicy Salif, the design icon par excellence and citrus juicer with a revolutionary yet surprisingly functional design. Outlined in its essential features by Philippe Starck during a seaside holiday in Italy, on a pizzeria placemat. Omnipresent in homes all over the world, and exhibited in the most prestigious museums on the world scene, Juicy Salif is much more than a simple citrus juicer: it has now become an icon of international industrial design.
€85,00
If the product is not available delivery times may vary from 7 to 30 days, contact us for further information.
Related products
The 9093 kettle with bird-shaped whistle is one of the best-selling Alessi objects in the world. The design of this kettle, created by Michael Graves in 1985, blends cultured influences from European art, American Pop and references to pre-Columbian cultures. The extraordinary success that the kettle has achieved since the year of its production is due to this very personal visual language of Graves. A cultured and elegant object, but at the same time playful and fun: when the water boils the bird sings, inevitably raising a smile. Kettle in 18\/10 stainless steel and thermoplastic resin. Magnetic steel bottom suitable for induction cooking
A domestic object designed by the Swiss architect Mario Botta, this carafe is suitable for serving both water and wine at the table.
Capacity 100cl, Height 29 cm
The pots of the Mami collection, created by Stefano Giovannoni, are a hymn to the soft and pot-bellied shapes of the traditional Italian utensils from which the delicious aromas of Sunday lunch spread throughout the house. The Mami cookware set is made of 18/10 stainless steel, with a polished finish.
CACTUS! è una fruttiera decorata da un traforo che ricorda il fitto intrecciarsi delle pale dei cactus. Il traforo diventa un elemento ornamentale che conferisce valore a un oggetto apparentemente semplice, ampliando la sua funzione da contenitore a ricercato elemento d’arredo.
Disponibile in 4 colori diversi e in due misure: 21 e 29 cm
The soft lines of this juicer, made almost entirely of stainless steel, clearly reveal Stefano Giovannoni’s search for a sort of new classicism, of harmony, for the domestic landscape of this century.